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[gear]


CANON 7D
09.01.2009

Announced yesterday, the 7D is a very interesting camera.  

 

 

On paper, there appears to be a lot to like, including:

  • A totally revamped auto focus system, with 19 cross-type sensors. Assuming it works, it appears to be the most advanced auto focus system on any Canon camera - in some ways even more sophisticated than the 1-series.
  • A totally new sensor with improved signal-to-noise ratio.
  • A bigger, brighter viewfinder with 100% coverage.
  • A new metering system.
  • Integrated infrared off-camera flash trigger system.
  • Better weather sealing.
  • Movie mode that's a significant upgrade to the 5DmkII.
  • Two Digic IV processing chips for significantly faster operation.
Of course, there is one thing that I don't like, and that's the fact that they crammed 18 megapixels into an APS-C sized sensor.  Canon claims a 2-stop improvement in noise versus the 50D.  Even if this (somewhat dubious) claim is true, imagine how much better the noise would be if it was a 12 megapixel sensor instead!

Other than the sensor, the feature set appears to be a significant UPGRADE to the 5DmkII in almost every way. Of course, the sensor is still the most important feature.

I'll wait and see.  If the reviews and tests show that the camera indeed has a 2 stop noise improvement over the 50D, then this just may be the replacement for my 30D, which I plan on retiring before next wedding season.  I'd much rather spend $1,600 to upgrade than spend $4.5k on a new 1DMkIV.

Here's the dpreview announcement:  http://www.dpreview.com/previews/canoneos7d/

And Rob Galbraith's take:  http://www.robgalbraith.com/bins/multi_page.asp?cid=7-10042-10239


5 comments
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Tammy: Woops, I posted on the wrong blog article.  OK, so I will comment on the 7D.  I hope it meets your expectations regarding focus.  I´d be happy with 12MP the way I shoot.  "Less" is sometimes "more" in the camera world.  Cheers! (09/03/09, 08:35)     
Tammy: Laurence, Hawaii!  What a fantastic vacation!!  I love your angle/perspective on your images.   (09/03/09, 08:30)     
Laurence Kim: hi Abby, no, the 7D is supposed to be the next step up from the 50D, not the 5DmkII.  However, it seems pretty clear that the 5DmkIII will probably include these upgraded features. (09/01/09, 02:49)     
Abby Johnson: Is this supposed to be the next step up from the 5d mark II. I was saving up for it and now wondering if I should wait. (09/01/09, 02:47)     
Alireza Roshan Ghias: It indeed seems very promising on paper, but the few brief hands-on reviews on prototype 7Ds are really disappointing. Specifically the noise level is not that much improved compared to 50D. Even at ISO400 a clear loss of detail can be seen. Maybe we should wait for thorough reviews on finished cameras, but this is really disappointing. I agree with you, why canon wants to cramp so much pixels in that small sensor? It´s totally useless! I personally would have preferred to pay more for the same spec, with lower MP and better ISO performance! (09/01/09, 12:54)     
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more: gear




YOUR CAMERA TAKES GREAT PICTURES: PART 37
07.18.2009

Here's a quick snap I made of Theresa (my 8 year old princess) with my Canon Powershot A710 point-n-shoot. I bought it a couple years ago for $130 and now it's worth about $20.

The image would have come out cleaner if I hadn't used the fully auto setting, which for some reason set the ISO at 400 when I could easily have shot this at ISO 100. But in my opinion it doesn't really matter. I like it just the way it is.


Notice the shadow/highlights on Theresa's face. It looks like I lit this with a large softbox camera right. Nope. This was just natural light. Studio quality light without strobes is super easy to do on a sunny day. Just put your subject under cover with light coming from just one side, like on the porch of a house. This was taken with Theresa sitting under the shade of an awning in front of a restaurant on a sunny day.

If I had taken this image with $9,000 worth of gear (say, a 1DsMkIII + 85mm f1.2L) but with Theresa in open shade instead of closed shade the image wouldn't be nearly as good. It still would have been a nice picture, but the open shade would have destroyed the shadow/highlights.

Great gear is good. Good technique is even better.

 

 

 


8 comments
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Laurence Kim: hi Dennis, you can work lx3 raw in LR. I´ve never tried acdsee. (09/03/09, 08:31)     
Dennis: The shot on your daughter is stunning. Something done simple (cheap camera) but magnificent result. I am using an LX3 too. I do my editing of curves etc in ACDSEE. Wonder what do you think of that or Lightroom is the way to go. Can we work with RAW in Lightroom for LX3? Appreciate your hard work and advise for almost all your shots!! Following closely! (09/03/09, 08:19)     
marc: hi lawrence - thanks for your great posts, particularly re: the Panasonic LX3. some really beautiful photographs! after agonizing for months (years?) over if/when to upgrade my ancient Canon 10D to a used 5D (no money for 5D2!), i decided to just get an LX3 as a carryover for now. i have to go on two weddings and a vacation in September (one to Seattle in fact) and don´t want to deal with the bulk of an SLR kit, plus with the rumors of a 7D, new micro 4/3rds cameras etc. etc. it seems silly to buy something big now. the LX3 arrives today, and your great pics with it have me excited and resting easier with my choice. i still intend to get a FF Canon at some point - i´ve used my 35/1.4 and 135/2 on friends´ 5D bodies many times, including on my honeymoon, and it was heaven - but with an LX3 i can probably wait. really excited to go back to Seattle btw - was born in Tacoma, but haven´t really been back since i was 10! cheers, marc p.s. check out the company i work for, PhotoShelter! (08/20/09, 11:02)     
Jer: Thanks for your little howto.  I shot 6 different portraits at a birthday party / reunion with this technique this past weekend and they all turned out very well and it was the simplest setup of the day. (08/02/09, 04:25)     
Kali Leenstra: Love the post. Your daughter is gorgeous.  (07/25/09, 10:48)     
Ning: \"Just put your subject under cover with light coming from just one side\" --- just this sentence is worth lots of $$$ :)  Thanks for sharing generously! (07/24/09, 05:02)     
Tim Topple: SO true - I have several photographs taken with an old compact digicam that can stand alongside an SLR print - and always to do with natural lucky lighting combined with technique.  It also forces you to make the most out of your surroundings and to refine your eye... (07/24/09, 08:07)     
exam guides: Hi dear, how are you? i hope you will be fine and in the best of your health. Dear, i just comment you to say that you have done what a great job here in this unique blog. your blog is very much stunning and also according to the desire of the readers. I really appreciate your efforts. Thanks a lot for providing us such a great information. (07/24/09, 07:24)     
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more: gear




WESTCOTT ILLUMINATOR BACKGROUND
06.23.2009

What do you do if you need to take a headshot on location in a room full of clutter? If you're lucky, you'll have a large, plain white wall to shoot against. More often than not, however, you won't.

The Westcott Illuminator background is the answer.  It's light, portable, and two sided - white / black.  With this portable background, you can create studio-quality headshots at practically any location.

The background folds into a disk 28" in diameter:

It comes in several sizes. The model I have is 6' x 5'.  Not enough for a full body, but good for a headshot or head & torso.

I love the white side for headshots. When you place your subject 3' in front of the background, it turns it into a nice medium grey.  Of course, you could light the background if you wanted a high key portrait.

The black side also makes a great background. This was shot with all natural light, just a sheer white shade pulled down over the window which diffused the sunlight, turning the window into a natural softbox.

As I've said before - simple, relatively inexpensive items like this Westcott background ($176 at Adorama) or Alien Bee monolights will make a MUCH bigger difference to your images than buying an $8,000 1DsMkIII.  The first portrait (of my little girl Annika) was taken with a 30D and 50mm f1.4 lens. The second with a 20D and 50mm f1.4 lens.  Not expensive gear by any means.  If I shot them with a 1DsMkIII + 50mm f1.2L combo ($9,500) but WITHOUT the background, the images would not be nearly as good.  Good technique combined with just the right gear will get you the results you want.

 


2 comments
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fotografia ślubna warszawa: Nice photos, which have "something". (06/29/09, 04:34)     
Natascha Yaeko: very interesting tip. I think the background is a good investment. By the way very nice two pictures. Thanks for sharing. Natascha (06/26/09, 09:35)     
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REVIEW: AMAZON KINDLE 2
06.06.2009

Imagine rummaging through shoebox after shoebox looking for photos like you did 10 years ago.

Imagine rummaging through stacks of CD cases looking for a particular song. In my case, most of my CDs are either out of the case (and thus scratched) or have been stored in the incorrect case (thanks MaryBeth!), making finding a particular CD a nightmare.  

Not a pretty picture, right? That's because you've long recognized the benefits of digitizing your media - photos and music.  The Amazon Kindle 2 is to books what iTunes is to music.  

Here's the Kindle 2.  As you can see, it's only slightly taller than your average paperback:

And it's about the same thickness as a magazine:

What's so great about the Kindle?

 

  • Like the iPod, you can carry your entire library with you everywhere you go.  The Kindle 2 stores 1,500 books.
  • Never lose a book again.  Ever spend an hour looking for a book in a box in your attic somewhere? Those days are gone.
  • It's cheaper than buying books. Yes, the device costs $350.  But once you've purchased the device, buying books is much cheaper. You can get a book for $10 that's currently in hardcopy for $25.  And paperbacks are usually available for $6 or $7.
  • It's much easier to read than a book. Unlike a hardcopy, you can adjust the font to any size you like. I read mine at the "old man" setting, the second largest font available. Regular books are now almost unreadable by comparison.
  • The screen is very crisp, as crisp or crisper than most printed books.
  • You never lose your place. When you turn the device off or switch to another book, it returns back to the page you were reading once you go back to it.
  • It has a built in audio reader. No, it's not like having James Earl Jones read a book to you, but it does sound much better than most computer speech you're used to hearing.
  • It has a built-in 3G wireless reader (no extra cost or subscription required) that let's you buy books anywhere and wirelessly download them to your kindle in one minute.
  • You can read for about a week before needing to recharge the battery.
  • If you lose your Kindle it's not a disaster. Sure, you'll have to buy a new device but you haven't lost your library. All the books you've purchased are archived by Amazon.
  • You can subscribe to newspapers, magazines and blogs and have them automatically download to your Kindle.
  • > 300,000 books available, with hundreds of new ones online every day. Amazon's stated goal is to have every book ever printed available on the Kindle.
Okay, so what's the downside?
  • There is one MAJOR downside. When you want to digitize your old prints or negatives, you scan them. When you want to digitize your music collection, you upload your CDs onto iTunes. With the Kindle, that's not possible. You have to re-create your library from scratch by buying each book again.
  • The screen on my Kindle 2 went bad after a month. However, Amazon replaced it immediately at no charge. I haven't had any problems since.
  • It drives MaryBeth crazy!  I can't read it in bed because the sound of me clicking the page turn button bothers her. Although I don't know why - it's actually much quieter than turning the page in a real book....
So what's the bottom line?  If you read a lot like I do (at least 1 book a week) then the Kindle is a no-brainer. Just get it. (by clicking on my Amazon tile above, of course)

 

  


2 comments
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Laurence Kim: hi Jenny - eye strain is much LESS with the kindle because (1) the font is easy to read (2) I can set the font as large as I want and (3) it is extremely crisp. Some paper books print clearer than others and are much harder to read in my opinion than the Kindle. (06/10/09, 03:27)     
Jenny J: How are your eyes holdin up?? (06/10/09, 02:47)     
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more: gear




WHAT TO BUY
04.24.2009

I receive emails every day from photographers around the world, and every single question I get is about gear!  That's kinda strange, since I rarely discuss gear on this blog.

Anyway, since that appears to be the topic of interest, I'll answer the most common question I receive: "What gear should I buy to start a wedding photography business?".  

Of course, there's no correct answer to this question. Some of you, for example, prefer primes while others prefer zooms. All I can say is what I'd buy for any given budget if I were buying today.

So here it is:

Questions:

What's the deal with the Panasonic LX3?

As I explained in this post, the Panasonic LX3 (or any other similar high quality point-n-shoot) is a superior tool for macro shots, especially rings.

 

For the middle budget Nikon option, why choose the D90 instead of the D300?

The D90 has identical image quality to the D300, it's lighter and it's half the price.

 

For the lowest budget option, you chose a used Canon 30D for the Canon version but still stuck with a new D90 for the Nikon version. Why?

Prior to the release of the newest Nikon bodies (D300/D90/D3/D700), Nikon's sensors were useless for anything above ISO 800. I would simply not shoot a wedding today with one of the older sensor Nikon bodies. While you can find some used D90 bodies on eBay, it's still too new for used bodies to be widely available from reputable dealers like Adorama or B&H. If you find one at your trusted local dealer, then go for it.

 

Why choose the 40D instead of the newer 50D?

Because the 50D was a backwards step in image quality at anything over ISO400.

 

Can I get in the business for less than $4,000?  

I suppose you can, but I wouldn't want to. About mid-way through shooting a wedding with a Rebel w/kit lens and hauling my gear around in a big backpack I'd probably want to pluck my eyeballs out. It's just not worth it.

 

If you had the money would you spend it on a pro body like a 1DsMkIII or D3?

No. Why spend double the money (or more) on a piece of equipment that won't make a bit of difference to your images and won't make you a dime more $$$?  If you're a rich amateur then go for it. If you're trying to run a business then don't.  Look at this example:  Today's Nikon D90 at $900 has superior image quality to the D2x, which up until a couple years ago was Nikon's top pro camera that cost well over $5k. 'Nuff said.

 

What about battery grips?

I don't use battery grips because (a) they cost money, (b) they make the camera bigger and heavier, and (c) I shoot most of my weddings on a single battery - battery power simply isn't an issue. I suppose they have an advantage for vertical shooting but I'm content to simply shoot vertical the old fashioned way.

 

What about pocket wizards and gear for off-camera lighting?

I didn't include it because I consider this gear to be "nice to have" but not absolutely essential. I shot a wedding yesterday without using any off camera lighting because I didn't need it.

 

For the big-budget option, why did you choose a 35mm prime lens for Canon but the 24-70 zoom lens for Nikon?

If Canon made a 24-70 zoom that was anywhere near as good as Nikon's then I'd probably use it. I chose the 35mm 1.4 because it's just such an awesome lens.  I shoot entire weddings using just this lens and the 70-200. Nikon's comparable lens (the venerable 28mm f1.4) is no longer available and costs $3k on eBay if you can find one.

 

What are you shooting with now?

Canon 5D and 30D bodies, 24mm 1.4L, 35mm 1.4L, 17-55mm f2.8 EFS (for the 30D) and 70-200mm f2.8L IS.  

 

Are you going to upgrade?

Not this year. The cameras I have, including my 4 year old 30D, still take beautiful pictures.  I'll probably retire the 30D next year and upgrade it to a 5dmkII, leaving my existing 5D as my backup.

 

As a general rule, when would you upgrade?

Today's best wedding cameras - the Canon 5dmkII and the Nikon D700 - are so good that I think the notion of "upgrading" has become obsolete. I'd simply replace them once every 4-5 years or so when they begin to wear out.  There are simply too many things I'd rather do with the money, like taking my family on a nice vacation, contributing the extra $3k to my retirement account or buying 350 more books for my Amazon Kindle.

  

 

  


23 comments
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vanhee: Hi, I find your blog really interesting, I read all your nowadays feeds and archives. I read the post "WHAT TO BUY in april 2009". I am interested by your nowaday suggestion by budget.  Is it possible taht you update this post? regards, Chloé (04/15/10, 03:15)     
gwyneth colleen: i don´t know much about the sigma 30 1.4, but i have the nikon 35 1.8...$200, i use it on my d700...and it can vignette pretty badly, but i´m ok with the image quality...ESPECIALLY at that price. it really is the best $200 i´ve spent on something gear related since i started my business. (04/11/10, 10:30)     
laurence Kim: Viknesh, yes you should have a wide lens to shoot weddings. I use a 24mm but a 16-35 is a good choice as well. (11/06/09, 08:49)     
Viknesh Nadaraja: Would you recommend a wide angle like the 16-35 f/2.8 on a ff? I reckon the need for this lens is to paint drama, capturing the whole wedding / reception vista and also for areas where space is limited. Please let me know your thoughts. Thanks. (11/06/09, 07:57)     
Dave Perris: Interesting choice of the D90 instead of the D300. I´m just about to buy another backup body for my existing D300 kit, so will checkout a few reviews. I´d be very happy to save myself some money if the image quality is the same. Thanks for the suggestion and all the other stuff, great blog (09/22/09, 12:04)     
Laurence Kim: hi Den, I´ve never tried the 35 1.8 so I couldn´t tell you.  (08/21/09, 10:35)     
Den Lim: Laurence, now that Nikon has the 35mm f/1.8 out, would you recommend that over the Sigma f/1.4 30mm?  (08/20/09, 05:47)     
Laurence Kim: hi Tanya, I would buy the 70-200mm f2.8L IS.  I use this lens for 90% of my portraiture images. The next thing I would buy is gear for off-camera lighting: pocketwizards, stands, umbrellas, etc. (07/02/09, 12:23)     
Tanya: Question for you, if you have a moment! I currently shoot with a 40D, 24-70 and 50mm 1.8 I am considering purchasing a 5D Original, but keep waffling about purchasing additional glass or perhaps some lighting. If you were me, what would YOU do? I do portraiture work exclusively. Cheers, Tanya (07/02/09, 09:06)     
dantel: Nice blogging. I bookmarked your site  (06/17/09, 09:55)     
Penny: Excellent.  I´ve fallen in love with your blog.  You´re so generous with useful information.  Such a wonderful attitude!  Thank you. (06/04/09, 06:35)     
Den Lim: What do you suggest for outside the house?  (05/28/09, 07:53)     
laurence kim: hi Den, will 30mm be enough for what?  for taking pictures of the kids in the house, yes. For taking pictures of them across the playground, no. (05/16/09, 08:54)     
Den Lim: For an amateur like me who only takes photos of my kid, my total budget would prob be only around US$1,500. A D40, a Sigma 30mm f1.4 and a LX3. My only prob is when my kid starts running. Will the 30mm be enough? (05/16/09, 04:52)     
Laurence Kim: hey Kevin, at all times my Boda bag has a flash, extra batteries, CF cards and a stack of my business cards. I usually carry two bodies around my neck. As for pro bodies, sure they have some nice benefits. All I\´m saying is I think 5dII/D700 bodies are a better investment. In financial terms, they\´ll produce a higher IRR (internal rate of return) per dollar invested. (05/07/09, 01:35)     
Kevin: forgot to mention...did not know that you use the Boda bag too. Don´t think you covered this in another post but how and what do you carry with you at all times and how do you get a two camera system and boda bag working for you? Have you ever considered News Wear? (05/04/09, 08:26)     
Kevin: Hey Lawrence, great post. Although I must beg to differ when it comes to getting the more "pro" level bodies. I understand the kits you made are for people starting out but a pro level body bring many benefits to the table like better weather sealing, redundancy with multiple memory card support, and finally quicker focusing (at least in Canon´s case).  (05/04/09, 01:58)     
Scott Roeben: As always, a fantastic look into your camera bag, and a really solid overview of the question so many are wondering about. I´m not opening a wedding photo business anytime soon (although I committed to one recently...panic attack!), but this still provides invaluable information. No matter what one´s budget, resources are rarely unlimited, so hearing your tried-and-tested insights is fantastic fun! Thanks! (05/01/09, 05:09)     
r. j. kern: Great article.  Gosh, I wish someone had laid this out as simply as you did when we started out a few years ago.   I think it is important to keep in mind that $10,000 in equipment represents over $11,500 in income to purchase after 15% employment taxes, assuming a cash purchase. Cash is king and I totally agree it is better to spend on things with a higher priority like saving for the future :) a great resource: http://www.thesimpledollar.com/  (05/01/09, 12:17)     
Andrew: I love your website and I have learned much about photography. But, I don\\\´t think you are right about the 50D. I had both and the 50D made superior images under all circumstances. The addition of AUTO-ISO is worth it alone. The 50D with the new Tamron 18-270VC is a fantastic combination. I like the choice of the 35mm f1.4. I almost cried the first time I took a decent picture with it and it was the reason I sold all my Nikon gear. (05/01/09, 03:40)     
BCWC: This is great as usual! I will be renting the 24mm f/1.4 just to try it out! I think rentals are great way to go too. (04/30/09, 11:29)     
Sephi Bergerson: good list. I guess great minds think alike :-) I am a Nikon shooter and would not have made a different choice than what you had recommended. would probably add the lensbaby for special effect to the top level budgets. here is my camera bag: http://sephi.com/blog/my-camera-bag/ I just got the Panasonic LX3 as well :-) cheers Sephi (04/30/09, 08:18)     
Rebekah R.: This is great - thank you! (04/30/09, 08:06)     
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